Apr 21 2010
History as Farce
Update: Figes has admitted that he himself was the author of the nasty reviews, contrary to his earlier statements.
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Noted UK public intellectual and historian of Russia Orlando Figes has found himself in a rather embarrassing situation that’s big news in the UK, where the private lives of historians get the kind of publicity we Americans can only dream of.
It seems as though Figes’ wife was posting nasty anonymous reviews on amazon.com of competing historians, notably Robert Service and Rachel Polonsky. After Polonsky got suspicious, she and Service did detective work up the electronic trail to find Figes’ wife.
So why was Polonsky singled out? Best guess–back in 2002, she wrote a scathing review of Figes’ Natasha’s Dance for the Times Literary Supplement. In it, she was careful not to accuse Figes of plagiarism. There’s a track record of legal action under plaintiff-friendly English libel law when that happens. (To be fair, Polonsky has also used English libel law to her benefit.) Nonetheless, Polonsky made it clear that she found unattributed borrowing in Natasha’s Dance, much as Richard Pipes had when he reviewed Figes’ A People’s Tragedy in the New Republic.
I had a rather striking moment along those lines myself in grad school. I had read Mark Von Hagen’s Soldiers in the Proletarian Dictatorship (1990), which included a memorable anecdote about Dora Elkina, who was trying to teach Red Army soldiers to read with childish sentences about Masha eating kasha:
After some frustrating moments that brought her close to tears, she hit upon the idea of turning the lesson into a political discussion and explained to the soldiers why they could not be with their Mashas and why the country was experiencing a shortage of kasha. (p. 103)
So I was struck when reading Figes’ A People’s Tragedy (1997) to find this without a reference to Von Hagen:
Close to tears, she hit upon the idea of turning the lesson into a political discussion and explained to the soldiers why they could not go home to their Mashas, and why the country was short of kasha. (p. 601)
Years later, I ran across this. Richard Pipes’ The Russian Revolution (1990) has this character sketch of Lenin:
The first impression he [Lenin] made on new acquaintances, then and later, was unfavorable. His short, stocky figure, his premature baldness . . . his slanted eyes and high cheekbones, his brusque manner of speaking, often accompanied by a sarcastic laugh, repelled most people. Contemporaries are virtually at one in speaking of his unprepossessing, “provincial” appearance. On meeting him, A. N. Potresov saw a “typical middle-aged tradesman from some northern, Iaroslavl-like province.” (p. 348)
Figes’ People’s Tragedy has this, also without a reference to Pipes:
At first, Lenin made a bad impression on the Marxists in St. Petersburg. Many of them were repelled by this short and stocky figure with his egg-shaped, balding head, small piercing eyes, dry sarcastic laugh, brusqueness and acerbity. Lenin was a newcomer and his musty and ‘provincial’ appearance was distinctly unimpressive. Potresov described him at their first meeting as a ‘typical middle-aged tradesman from some northern Yaroslavl’ province.’ (p. 147)
UPDATE: the Times of London has an anonymous discussion of the legal intricacies behind the poison pen reviews.